ALBUMS

Hallowe'en: Night of Spirits

Kristen Lawrence

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Edgar Allan Poe's 'The Raven'

Kristen Lawrence

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A Broom With A View

Kristen Lawrence

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Arachnitect

Kristen Lawrence

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SINGLES

Garden of Magic (Come, Little Children) – Instrumental Witches and Faeries Version

Kristen Lawrence

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Kristen's instrumental arrangement of the beloved song from the movie "Hocus Pocus" (commonly known as "Come, Little Children") will add entrancing beauty to any Halloween playlist. This witch sister track of Kristen's vocal version replaces vocals with three violas. Waltzing with pipe organ, celeste, and piano, these witchy contrapuntal viola

Kristen's instrumental arrangement of the beloved song from the movie "Hocus Pocus" (commonly known as "Come, Little Children") will add entrancing beauty to any Halloween playlist. This witch sister track of Kristen's vocal version replaces vocals with three violas. Waltzing with pipe organ, celeste, and piano, these witchy contrapuntal viola lines paint an enchanting Halloween soundscape, perfect for active listening or background magic.

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Garden of Magic (Come, Little Children) - Witches and Faeries Version

Kristen Lawrence

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Everyone who loves the movie, "Hocus Pocus," loves this song. The original name is "Garden of Magic," but most people know it as "Come, Little Children." Kristen received many requests to record her own cover of this magical song, and thinking the movie version to be tragically short (only one verse), she added two more verses, a bridge, and a

Everyone who loves the movie, "Hocus Pocus," loves this song. The original name is "Garden of Magic," but most people know it as "Come, Little Children." Kristen received many requests to record her own cover of this magical song, and thinking the movie version to be tragically short (only one verse), she added two more verses, a bridge, and a chorus. All additional lyrics and melodies are her own, except the chorus lyrics for which she used the refrain from Yeats' poem, "The Stolen Child." Kristen's arrangement is like a cathedral-sized music box, with pipe organ, celeste, piano, and three voices ... like the Sanderson sisters on stage.

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Sleepy Hollow: Love is Scary

Kristen Lawrence

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Written and recorded in 2020 to commemorate the 200th anniversary of the publication of Washington Irving's The Legend of Sleepy Hollow, Kristen sings the famously loved story by setting her original lyrics to a traditional folk tune ("When Johnny Comes Marching Home"/"Johnny, I Hardly Knew Ye") and arranging the accompaniment as an organ duet

Written and recorded in 2020 to commemorate the 200th anniversary of the publication of Washington Irving's The Legend of Sleepy Hollow, Kristen sings the famously loved story by setting her original lyrics to a traditional folk tune ("When Johnny Comes Marching Home"/"Johnny, I Hardly Knew Ye") and arranging the accompaniment as an organ duet (four hands, four feet — links to buy sheet music on this site).

Experience the spookiness of autumnal Hudson Valley through pipe organ and voice. Listen for the fugue played by one organist in the middle of the song, and continued by both organists at the end of the song. All themes entangle to make the heart thump, acknowledging that, indeed, LOVE IS SCARY!

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Witch of the Salem Town

Kristen Lawrence

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"Witch of the Salem Town" is Kristen's version of the old folk tune "Star of the County Down." With Monte Pittman (Madonna) on guitars/bass and Grammy winning MB Gordy on percussion, Kristen's pipe organ and vocals tell the tale of a fictitious Irish immigrant, Agnes Lown, who arrived in Salem, Massachusetts during an unfortunate year, 1692 - the

"Witch of the Salem Town" is Kristen's version of the old folk tune "Star of the County Down." With Monte Pittman (Madonna) on guitars/bass and Grammy winning MB Gordy on percussion, Kristen's pipe organ and vocals tell the tale of a fictitious Irish immigrant, Agnes Lown, who arrived in Salem, Massachusetts during an unfortunate year, 1692 - the year of the Salem witch trials. Accused and sentenced to death, Agnes keeps her mind and strength to her last breath, living by the mantra of her immigrant ship's name, Go True. The song ends with a powerful slip jig, symbolizing Agnes' "dancing" (see: Tyburn jig) - in her final mortal moments on the noose and then as a ghost from the other side.

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SHEET MUSIC

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